Even many years ago, before I started seriously studying Saki, I was struck by the presence of central and eastern Europe, the Balkans and Russia in his stories. ‘Reginald in Russia’ is a very obvious example, but there are so many other stories set in that part of the world: ‘The Wolves of Cernogratz’, ‘The Easter Egg’, ‘The Name-Day’, ‘The Interlopers’ (just to name a few that spring to mind straightaway).
‘Wratislav’ is a particularly interesting example. Although it is clearly set in Vienna, as the reference to the Graben (one of the main shopping streets) makes clear, this setting has no real bearing on or importance in the story. Indeed, it is quite incongruous, given that it begins with a comment by Clovis (how he came to know two aristocratic Austrian families is left unexplained) and ends with a play on the English saying ‘Conscience makes cowboys of us all’.
I had therefore contemplated writing up something about the topic. As it turns out, someone has already gone some way down that path. Vesna Goldsworthy’s Inventing Ruritania: The Imperialism of the Imagination, however, is not specifically about Saki but looks at the works of a number of writer. According to the blurb:
- I don’t have the facilities to check at the minute, but I wonder if Clovis was just inserted when the story came to be collected in book form? It’s possible: the same happened with ‘Tobermory’. (In the original, Bertie von Tahn gets most of Clovis’s dialogue. ↩