TOWARDS four o’clock on a hot afternoon Francesca stepped out from a shop entrance near the Piccadilly end of Bond Street[1] and ran almost into the arms of Merla Blathlington. The afternoon seemed to get instantly hotter. Merla was one of those human flies that buzz; in crowded streets, at bazaars and in warm weather, she attained to the proportions of a human bluebottle. Lady Caroline Benaresq had openly predicted that a special fly-paper was being reserved for her accommodation in another world; others, however, held the opinion that she would be miraculously multiplied in a future state,[1] and that four or more Merla Blathlingtons, according to deserts, would be in perpetual and unremitting attendance on each lost soul.

“Here we are,” she cried, with a glad eager buzz, “popping in and out of shops like rabbits; not that rabbits do pop in and out of shops very extensively.”

It was evidently one of her bluebottle days.

“Don’t you love Bond Street?” she gabbled on. “There’s something so unusual and distinctive about it; no other street anywhere else is quite like it. Don’t you know those ikons and images and things scattered up and down Europe, that are supposed to have been painted or carved, as the case may be, by St. Luke or Zaccheus,[2] or somebody of that sort; I always like to think that some notable person of those times designed Bond Street. St. Paul, perhaps. He travelled about a lot.”

“Not in Middlesex,[3] though,” said Francesca.

“One can’t be sure,” persisted Merla; “when one wanders about as much as he did one gets mixed up and forgets where one has been. I can never remember whether I’ve been to the Tyrol twice and St. Moritz once, or the other way about; I always have to ask my maid. And there’s something about the name Bond that suggests St. Paul; didn’t he write a lot about the bond and the free?”[4]

“I fancy he wrote in Hebrew or Greek,” objected Francesca; “the word wouldn’t have the least resemblance.”

“So dreadfully non-committal to go about pamphleteering in those bizarre languages,” complained Merla; “that’s what makes all those people so elusive. As soon as you try to pin them down to a definite statement about anything you’re told that some vitally important word has fifteen other meanings in the original. I wonder our Cabinet Ministers and politicians don’t adopt a sort of dog-Latin[5] or Esperanto[6] jargon to deliver their speeches in; what a lot of subsequent explaining away would be saved. But to go back to Bond Street—not that we’ve left it—”

“I’m afraid I must leave it now,” said Francesca, preparing to turn up Grafton Street;[7] “Good-bye.” Continue reading →

ELAINE DE FREY sat at ease—at bodily ease—at any rate—in a low wicker chair placed under the shade of a group of cedars in the heart of a stately spacious garden that had almost made up its mind to be a park. The shallow stone basin of an old fountain, on whose wide ledge a leaden-moulded otter for ever preyed on a leaden salmon, filled a conspicuous place in the immediate foreground. Around its rim ran an inscription in Latin, warning mortal man that time flows as swiftly as water and exhorting him to make the most of his hours; after which piece of Jacobean moralising it set itself shamelessly to beguile all who might pass that way into an abandonment of contemplative repose. On all sides of it a stretch of smooth turf spread away, broken up here and there by groups of dwarfish chestnut and mulberry trees, whose leaves and branches cast a laced pattern of shade beneath them. On one side the lawn sloped gently down to a small lake, whereon floated a quartette of swans, their movements suggestive of a certain mournful listlessness, as though a weary dignity of caste held them back from the joyous bustling life of the lesser waterfowl. Elaine liked to imagine that they re-embodied the souls of unhappy boys who had been forced by family interests to become high ecclesiastical dignitaries and had grown prematurely Right Reverend. A low stone balustrade fenced part of the shore of the lake, making a miniature terrace above its level, and here roses grew in a rich multitude. Other rose bushes, carefully pruned and tended, formed little oases of colour and perfume amid the restful green of the sward, and in the distance the eye caught the variegated blaze of a many-hued hedge of rhododendron. With these favoured exceptions flowers were hard to find in this well-ordered garden; the misguided tyranny of staring geranium beds and beflowered archways leading to nowhere, so dear to the suburban gardener, found no expression here. Magnificent Amherst pheasants, whose plumage challenged and almost shamed the peacock on his own ground, stepped to and fro over the emerald turf with the assured self-conscious pride of reigning sultans. It was a garden where summer seemed a part-proprietor rather than a hurried visitor.

By the side of Elaine’s chair under the shadow of the cedars a wicker table was set out with the paraphernalia of afternoon tea. On some cushions at her feet reclined Courtenay Youghal, smoothly preened and youthfully elegant, the personification of decorative repose; equally decorative, but with the showy restlessness of a dragonfly, Comus disported his flannelled person over a considerable span of the available foreground. Continue reading →

ON a conveniently secluded bench facing the Northern Pheasantry in the Zoological Society’s Gardens, Regent’s Park, Courtenay Youghal sat immersed in mature flirtation with a lady, who, though certainly young in fact and appearance, was some four or five years his senior. When he was a schoolboy of sixteen, Molly McQuade had personally conducted him to the Zoo and stood him dinner afterwards at Kettner’s,[1] and whenever the two of them happened to be in town on the anniversary of that bygone festivity they religiously repeated the programme in its entirety. Even the menu of the dinner was adhered to as nearly as possible; the original selection of food and wine that schoolboy exuberance, tempered by schoolboy shyness, had pitched on those many years ago, confronted Youghal on those occasions, as a drowning man’s past life is said to rise up and parade itself in his last moments of consciousness.

The flirtation which was thus perennially restored to its old-time footing owed its longevity more to the enterprising solicitude of Miss McQuade than to any conscious sentimental effort on the part of Youghal himself. Molly McQuade was known to her neighbours in a minor hunting shire as a hard-riding conventionally unconventional type of young woman, who came naturally into the classification, “a good sort.” She was just sufficiently good-looking, sufficiently reticent about her own illnesses, when she had any, and sufficiently appreciative of her neighbours’ gardens, children and hunters to be generally popular. Most men liked her, and the percentage of women who disliked her was not inconveniently high. One of these days, it was assumed, she would marry a brewer or a Master of Otter Hounds, and, after a brief interval, be known to the world as the mother of a boy or two at Malvern[2] or some similar seat of learning. The romantic side of her nature was altogether unguessed by the countryside.

Her romances were mostly in serial form and suffered perhaps in fervour from their disconnected course what they gained in length of days. Her affectionate interest in the several young men who figured in her affairs of the heart was perfectly honest, and she certainly made no attempt either to conceal their separate existences, or to play them off one against the other. Neither could it be said that she was a husband hunter; she had made up her mind what sort of man she was likely to marry, and her forecast did not differ very widely from that formed by her local acquaintances. If her married life were eventually to turn out a failure, at least she looked forward to it with very moderate expectations. Her love affairs she put on a very different footing and apparently they were the all-absorbing element in her life. She possessed the happily constituted temperament which enables a man or woman to be a “pluralist,” and to observe the sage precaution of not putting all one’s eggs into one basket. Her demands were not exacting; she required of her affinity that he should be young, good-looking, and at least, moderately amusing; she would have preferred him to be invariably faithful, but, with her own example before her, she was prepared for the probability, bordering on certainty, that he would be nothing of the sort. The philosophy of the “Garden of Kama”[3] was the compass by which she steered her barque and thus far, if she had encountered some storms and buffeting, she had at least escaped being either shipwrecked or becalmed. Continue reading →

FRANCESCA prided herself on being able to see things from other people’s points of view, which meant, as it usually does, that she could see her own point of view from various aspects. As regards Comus, whose doings and non-doings bulked largely in her thoughts at the present moment, she had mapped out in her mind so clearly what his outlook in life ought to be, that she was peculiarly unfitted to understand the drift of his feelings or the impulses that governed them. Fate had endowed her with a son; in limiting the endowment to a solitary offspring Fate had certainly shown a moderation which Francesca was perfectly willing to acknowledge and be thankful for; but then, as she pointed out to a certain complacent friend of hers who cheerfully sustained an endowment of half-a-dozen male offsprings and a girl or two, her one child was Comus. Moderation in numbers was more than counterbalanced in his case by extravagance in characteristics.

Francesca mentally compared her son with hundreds of other young men whom she saw around her, steadily, and no doubt happily, engaged in the process of transforming themselves from nice boys into useful citizens. Most of them had occupations, or were industriously engaged in qualifying for such; in their leisure moments they smoked reasonably-priced cigarettes, went to the cheaper seats at music-halls, watched an occasional cricket match at Lord’s[1] with apparent interest, saw most of the world’s spectacular events through the medium of the cinematograph, and were wont to exchange at parting seemingly superfluous injunctions to “be good.” The whole of Bond Street[2] and many of the tributary thoroughfares of Piccadilly[3] might have been swept off the face of modern London without in any way interfering with the supply of their daily wants. They were doubtless dull as acquaintances, but as sons they would have been eminently restful. With a growing sense of irritation Francesca compared these deserving young men with her own intractable offspring, and wondered why Fate should have singled her out to be the parent of such a vexatious variant from a comfortable and desirable type. As far as remunerative achievement was concerned, Comus copied the insouciance of the field lily[4] with a dangerous fidelity. Like his mother he looked round with wistful irritation at the example afforded by contemporary youth, but he concentrated his attention exclusively on the richer circles of his acquaintance, young men who bought cars and polo ponies as unconcernedly as he might purchase a carnation for his buttonhole, and went for trips to Cairo or the Tigris valley with less difficulty and finance-stretching than he encountered in contriving a week-end at Brighton.

Gaiety and good-looks had carried Comus successfully and, on the whole, pleasantly, through schooldays and a recurring succession of holidays; the same desirable assets were still at his service to advance him along his road, but it was a disconcerting experience to find that they could not be relied on to go all distances at all times. In an animal world, and a fiercely competitive animal world at that, something more was needed than the decorative abandon of the field lily,[5] and it was just that something more which Comus seemed unable or unwilling to provide on his own account; it was just the lack of that something more which left him sulking with Fate over the numerous breakdowns and stumbling-blocks that held him up on what he expected to be a triumphal or, at any rate, unimpeded progress. Continue reading →

FRANCESCA BASSINGTON sat in the drawing-room of her house in Blue Street, W.,[1] regaling herself and her estimable brother Henry with China tea and small cress sandwiches. The meal was of that elegant proportion which, while ministering sympathetically to the desires of the moment, is happily reminiscent of a satisfactory luncheon and blessedly expectant of an elaborate dinner to come.

In her younger days Francesca had been known as the beautiful Miss Greech; at forty, although much of the original beauty remained, she was just dear Francesca Bassington. No one would have dreamed of calling her sweet, but a good many people who scarcely knew her were punctilious about putting in the “dear.”

Her enemies, in their honester moments, would have admitted that she was svelte and knew how to dress, but they would have agreed with her friends in asserting that she had no soul. When one’s friends and enemies agree on any particular point they are usually wrong. Francesca herself, if pressed in an unguarded moment to describe her soul, would probably have described her drawing-room. Not that she would have considered that the one had stamped the impress of its character on the other, so that close scrutiny might reveal its outstanding features, and even suggest its hidden places, but because she might have dimly recognised that her drawing-room was her soul.

Francesca was one of those women towards whom Fate appears to have the best intentions and never to carry them into practice. With the advantages put at her disposal she might have been expected to command a more than average share of feminine happiness. So many of the things that make for fretfulness, disappointment and discouragement in a woman’s life were removed from her path that she might well have been considered the fortunate Miss Greech, or later, lucky Francesca Bassington. And she was not of the perverse band of those who make a rock-garden of their souls by dragging into them all the stoney griefs and unclaimed troubles they can find lying around them. Francesca loved the smooth ways and pleasant places of life; she liked not merely to look on the bright side of things but to live there and stay there. And the fact that things had, at one time and another, gone badly with her and cheated her of some of her early illusions made her cling the closer to such good fortune as remained to her now that she seemed to have reached a calmer period of her life. To undiscriminating friends she appeared in the guise of a rather selfish woman, but it was merely the selfishness of one who had seen the happy and unhappy sides of life and wished to enjoy to the utmost what was left to her of the former. The vicissitudes of fortune had not soured her, but they had perhaps narrowed her in the sense of making her concentrate much of her sympathies on things that immediately pleased and amused her, or that recalled and perpetuated the pleasing and successful incidents of other days. And it was her drawing-room in particular that enshrined the memorials or tokens of past and present happiness. Continue reading →

Up to now, I’ve concentrated on annotating Munro’s short stories, but I’ve been re-reading his first novel and will be posting it here chapter-by-chapter (with notes, of course) over the next few months.

The first chapter will be available some time next week.