Forthcoming: ‘Saki (H.H. Munro): Original and Uncollected Stories’

Saki (H.H. Munro): Original and Uncollected Stories CoverI’m delighted to announce that my edited collection of Saki’s stories will be appearing soon as a real book and in a number of electronic formats, thanks to Open Book Publishers.

The book is a follow up to my article on the genesis of The Chronicles of Clovis and contains the original periodical versions of the following stories:

  1. Esmé
  2. Tobermory
  3. Mrs Packletide’s Tiger
  4. The Background
  5. The Jesting of Arlington Stringham
  6. Adrian
  7. The Chaplet
  8. Wratislav
  9. Filboid Studge
  10. Ministers of Grace

It also includes three hitherto uncollected stories:

  1. Mrs Pendercoet’s Lost Identity
  2. The Optimist
  3. The Romance of Business (only recently rediscovered, as revealed on this blog)

I’ve written an introduction, setting the stories in context, and as you’d expect there are plentiful annotations as well. The volume also includes a chronology of Munro’s life, suggestions for further reading, and a list of textual variants for the Chronicles of Clovis stories.

At the minute I’m correcting the proofs, and once that’s done publication shouldn’t be too far away. I will of course post the publication date here as soon as I know it.

More details can be found here: https://www.openbookpublishers.com/books/10.11647/obp.0365

More on Saki and F. C. Gould’s Kipling parodies

I posted Munro’s Kipling parodies (‘The Political Jungle Book’ and ‘Not-So Stories’) here last year including the cartoons done by Francis Carruthers Gould. I hadn’t realised (until I came upon the following picture by chance) that the illustrations are also parodies of Kipling. (Kipling did the illustrations for the Just So Stories himself.)

Below is a picture from the British Library flickr account (Source: https://www.flickr.com/photos/britishlibrary/11240828966/in/album-72157672074712488/). According to the webpage, the digitised image is from page 223 of “The Writings in Prose and Verse of Rudyard Kipling. (‘Outward Bound’ edition.) [With plates, including portraits.]”. Oddly, when you follow the link to the digitised book you get a collection of Kipling’s verse which definitely doesn’t contain this particular picture.

British Library digitised image from page 223 of "The Writings in Prose and Verse of Rudyard Kipling. ('Outward Bound' edition.) [With plates, including portraits.]"

British Library digitised image from page 223 of “The Writings in Prose and Verse of Rudyard Kipling. (‘Outward Bound’ edition.) [With plates, including portraits.]” Source: https://www.flickr.com/photos/britishlibrary/11240828966/in/album-72157672074712488/

Nevertheless, it is from the Just So Stories (see page 213 of the book here), and the similarity between it and the FCG version (with Lord Rosebery’s face on the cat) should be obvious to all:

The Dalmeny Cat

FCG’s illustration to ‘The Dalmeny Cat’ (Westminster Gazette, 31 October 1902)

You can find Munro’s story to go with the picture here.

More on Saki, Selfridge’s and the ‘Romance of Business’

Following on from the publication here of the lost Saki story ‘The Romance of Business’, Saki scholar Brian Gibson managed to turn up the following article about the series of ads of which Saki’s tale was but a part. I publish it in full below. Readers may think that the writer is taking his brief a bit too seriously and the prose gets bit purple as a result, but it gives an idea of the context.

OCTOBER 3, 1914 SELFRIDGE & CO, LTD, London, England.–A series of ads exploiting the store’s fifth anniversary. There are some twenty odd ads in the complete series. Three of them are reproduced on this page.

It is possible that no more remarkable ads than these have been produced in the entire history of retail advertising. It is certain that there has never been a more interesting and more constructive presentation of the institutional phase of retailing–the side of retailing that is too often submerged when the actual function of a store is under consideration.

It is not in technique and design that the Selfridge ads are out of the ordinary–although they are in reality works of art, on the one hand, and literature, on the other. Their chief novelty and merit lie in the point of view they reflect, a point of view that puts retailing as an enterprise, and trade as a vocation, on the high level on which they properly should stand.

While each ad of the entire series carries the signature of Selfridge & Co., the theme in the text is “the Retail Store as an Institution,” and the subject matter is composed not of what Selfridge & Co. think of themselves, but of what other people think of them. And, after all, is it not public opinion that makes any institution what it is–any institution, at least, the basis of whose work is service? Continue reading

‘The Romance of Business’: A newly rediscovered Clovis story

[This story, forgotten until now, formed part of an almost full-page advertisement by the London department store Selfridge’s that was printed in the Daily News and Leader. Two thirds of it were taken up by an elaborate illustration of laden men, trucks and even elephants passing through an ornate classical archway on their way to a dock with ships. Selfridge’s commissioned several such illustrations from noted artists, complemented by short texts on subjects such as “The Dignity of Work”, “Imagination” and “Markets of the World”, and had them printed in a number of prominent newspapers as part of its fifth birthday celebrations. Munro’s contribution was prefaced by a short explanatory comment in bold print.]

Mr. H. H. MUNRO (“Saki”) in response to our request for an article on The Romance of Business, has, in his inimitable way, defined that text in the following: —

“Ring for some more tea,” said Margaret Sangrail to her nephew; “Sophie Chabhouse has just been here, and I always give her inferior tea in my most valuable tea service. The fact that she can neither drink the tea nor carry away the tea-cup fills her with acute anguish, which I find much more amusing than filling her with Lapsang Souchong.”

“I’m afraid you’re not very fond of Cousin Sophie,” said Clovis.

“I make it a rule to like my relations,” said Margaret; “I remember only their good qualities and forget their birthdays. Still, when a woman is as indecently rich and as incredibly mean and as unpardonably boastful as Sophie is, a little malicious tail-twisting becomes not merely a pleasure but an absolute duty.”

“The boasting is certainly rather unendurable,” admitted Clovis; “I met her at lunch yesterday at the Cuverings, and she could talk of nothing else but a fur stole she’d just bought, Lake Baikal beaver, cost her seventy guineas after a fortnight’s haggling, probably worth a hundred, and so on, all through lunch time.” Continue reading

‘The Optimist’

In the gathering twilight Richard Duncombe rode a tired horse through a seemingly endless succession of fields in what he guessed to be a more or less homeward direction. After the crowd and movement and liveliness of a good day with the hounds there was something still and ghostly about this long, slow ride through a misty world of plough-land, grass-land, and fallow, in which he and his horse seemed to be the only living things. Even when he struck into a road it seemed a deserted highway bordered by long stretches of hedge and coppice, with never a farm-gate or signpost to break its reticence or relieve its sameness. It was with a sense of pleasure that he came suddenly into the glow of lighted windows and drew rein hopefully outside the garden gate of a substantial-sized dwelling. A tall, red-haired girl stood in the doorway of the house, as though keeping watch along what could be seen of the dusky roadway. She returned Duncombe’s greeting with a pleasant “Good evening.”

“I see you have a stable there,” he called out; “do you think you could let me put my horse up there for an hour’s rest and give him a little flour and water? He’s fairly done up, and I don’t think there’s an inn within five miles.”

“Mother will be delighted,” said the girl, and in a few minutes she had helped Duncombe to stable and water his tired animal.

“We are just sitting down to tea,” she said shyly, “and mother hopes you will kindly come in and take a cup.”

It was not the first time that Duncombe had partaken of pleasant wayside hospitality during homeward rides, and he gladly accepted the invitation. The house was evidently one belonging to fairly comfortable yeoman owners, and its mistress was a kindly faced woman, with quiet, friendly manners, who sat in her parlour at a table well laid out with the furnishing of a substantial middle-class tea. Seated also at the table when Duncombe entered was a red-haired boy of about seventeen, evidently the brother of the girl who had played the part of stable-help. Continue reading

Not So Stories (With apologies to R.K.) – 4

The Dalmeny Cat1 That Walked by Itself

The Dalmeny Cat

[In the picture, Beloved of Mine, you will see the Cat walking by its lone. In one corner there are some things which may be an Old-Age Pension Scheme or they may be Six New Army Corps; but I think they are Mushrooms or ’phemeral things like them which are born in the wild woods but don’t live long.]

There was once a Cat that walked by its lone. It knew where it wanted to go and it kept straight there, and after a while it wasn’t so very much by itself either.2

But the delicately didactic Woman3 who kept House from Monday to Friday and had her week-ends to herself couldn’t abide the Cat walking in and out of her premises.

“For better or for worse, probably for much, much better,” she declared, “I am the only possible occupant of this tenement. There can be no alternative.”4

But the Cat that walked not so very much by its lone went in and out and through and through just as it quite well wished, and made remarks as it went.

And the delicately didactic and faintly fractious Woman bubbled over with a pleasant peevishness that was sedative and enervating to behold, and called everything to witness that she was no worse than she need be: “And behold,” she said, “everything we do is for the second-best in this second-best of all possible Governments.5 Our troops are employed at enormous distances from home, and if they occasionally get into tight places the very fact that we were able to get them there at all reflects immense credit on us. And if we have done nothing particular at home in the past seven years, at least we have done it quietly and unobtrusively.”

Four out of every five proper Cecils6 will speak like that; the fifth proper Cecil would probably say it with equal shrillness at the wrong moment.

But the Cat that walked through the land not by any means by its lone came in and out and gave the Woman queer starts when she was working overtime to finish off her bills; and the Woman became hard and resolute as gelatine that has almost had time to cool, and flung a jar of Devonshire cream at the Cat that wouldn’t be silenced. It was the only thing she had had to hand for months and months, and she was glad to be able to throw it.23

But the Cat that mobilised as it walked wouldn’t stay away even when it saw “No Alternative” written on the door. And whenever the Woman was making a mess of things, which was sometimes, or whenever she was doing nothing, which was frequently, she would find the Cat looking on in a luminous manner which she considered unfeeling.

Four out of five proper Cecils would be vexed at such conduct, and the fifth proper Cecil would be righteously indignant.

The Cecils are indispensable for the government of the Empire. If there were no Cecils it would be necessary to invent them.8

That, Best Beloved, is an epigram. At least, I think so.


  1. 5th Earl of Rosebery (1847–1929), Liberal politician and Prime Minister 1894–5, whose courtesy title before inheriting the earldom was Lord Dalmeny.
  2. Despite his repeated avowals of his wish to leave poltics and go his own way, Rosebery attracted supporters such as Herbert Henry Asquith (1852–1928, Liberal Party politician, Prime Minister 1908–1916), Sir Edward Grey (1862–1933, Under-Secretary of State for Foreign Affairs 1892–1895 and later Secretary of State for Foreign Affairs 1905–1916), Henry Fowler (1830–1911, Secretary of State for India in Rosebery’s cabinet), and Richard Haldane (1856–1928, philosopher, lawyer and Liberal M.P.), all of whom at various times hoped — or convinced themselves — that he would return to front–line politics.
  3. Arthur Balfour (1848–1930), British Conservative politician, Prime Minister 1902–1905.
  4. A reference to claims that people had voted for the Conservatives in the last general election (1900) because they saw no alternative.
  5. Parodying the optimist Professor Pangloss in Voltaire’s Candide (1759): “all is for the best in the best of all possible worlds”.
  6. The Cecils were a political dynasty. James Gascoyne-Cecil (1791-1868), the second Marquess of Salisbury, was an M.P. before inheriting his title and later served as Lord Privy Seal and Lord President of the Council. The Marquess’s son, the 3rd Marquess (1830-1903), was Prime Minister three times, the third being 1895–1902, after which he was succeeded by his nephew Arthur Balfour. Balfours father and grandfather had been M.P.s and his brother Gerald (1853–1945) also entered parliament. The 3rd Marquess’s son, Lord Hugh Cecil (1869–1956) was also an M.P.
  7. Spencer Cavendish (1833–1908), 8th Duke of Devonshire, who had made speeches mocking Rosebery’s “clean slate” proposals. He was a member of Liberal Unionist Party and therefore a coalition partner of Balfour rather than a party colleague.
  8. Cf. Voltaire: “If God did not exist, it would be necessary to invent him” (‘Epître à l’auteur du livre des Trois imposteurs’, 1798.

‘The Dalmeny Cat That Walked by Itself’ by Saki (H.H. Munro), taken from The Westminster Gazette, 31 October 1902. Illustration by Francis Carruthers Gould. Notes © 2020-22 Bruce Gaston. No reproduction without permission.

Not So Stories (With apologies to R.K.) – 3

How the Pallmallatherium Lost Its Weak Spots

The Pallmallatherium

The Pallmallatherium,1 Best Beloved, has no extraordinary qualities, but it was there at the time, and that is Why. For years it had been employed to stalk horses and watch their breeding-grounds and catch them a few at a time, just as they were wanted, and though it had no special grasp of things it managed to hold on. And then there arrived a Perfectly Unpremeditated Emergency and upset everything that was going on so nicely.

Emergencies always are upsetting, even if you have seen them emerging for years.

Everyone had talked about a morally inevitable war that was to be fought to a finish, but no one could have reasonably calculated that a war that was fought to a finish would require a beginning. So nobody was ready to begin at the same time as the morally inevitable but quite unprepared-for war, and there were no horses. Then they thought of the Pallmallatherium, and went to look for it, and there it was, Best Beloved, working away without a particular ability and no special grasp of things, just as if nothing was going to happen. And then the Pallmallatherium had to get to work ever so much quicker and more muchly2 than before, and under conditions which had never been thought of and could hardly have been foreseen.3 Aren’t those beautiful words, and they come straight from a Report? You see, when you go to war with countries ever so many thousand miles away you naturally never contemplate having to send your horses so far from Victoria-street.4 That is why emergencies are so disturbing.

So the pardonably flabbergasted and quite undeservingly censured Pallmallatherium got hold of as many horses and mules as the Army could use—and a great many that it couldn’t—5and dealt with all imaginable sorts of people much more grasping than itself, and overworked itself generally, so that it came out in weak spots all over and contracted proboscial irritation from having paid so much through the nose.

Then they said, We can’t have this maculose and fearfully conspicuous object wandering about out of harmony with all its surroundings; let us make it into an albino. So they took the Pallmallatherium and whitewashed it from end to end as well as they knew how.6

And that is how the Pallmallatherium lost its spots.


  1. Pall Mall, in central London, was the location of the War Office. This story refers to (and even sometimes takes up phrases from) the report of an inquiry into the Army Remount Department, which supplied horses to the army but had proved wholly unprepared for the vastly increased demand when the Boer War began.
  2. Sic.
  3. This last part is a direct quotation.
  4. The Inspector-General of the Remount Department is described in the report as sitting “in a flat on the fourth floor” in Victoria-street [sic] in London.
  5. The poor quality of animals procured by the department was one point of criticism.
  6. The report was considered by many to be a whitewash. See for example, the Daily Mail, 10 October 1902, p. 4.

‘How the Pallmallatherium Lost Its Weak Spots’ by Saki (H.H. Munro), taken from The Westminster Gazette, 15 October 1902. Illustration by Francis Carruthers Gould. Notes © 2020-21 Bruce Gaston. No reproduction without permission.

Not So Stories (With apologies to R.K.) – 2

How the Armydillo Lost Its Wool

The Armydillo and the Beech-Marten

You would like to know, Best Beloved, how the Doubtless Well-meaning Armydillo lost its wool.

The Doubtless Well-meaning but somewhat stereotyped Armydillo1 lived in a perfect and past-definite system of pigeon-holes and shrank from observation,2 especially such observations as the Beech-Marten3
was addicted to making.

“The Old Guard retires, but it never stops talking,” said the Armydillo angrily.4

There was a Whip once that became a perfect Scourge, but that has nothing to do with the story.5

No self-respecting Armydillo is ever to blame for the time being; but there have been Armydillos in the past that have been simply scandalous.

So when the superfluous Beech-Marten came round talking about waste and extravagance and extraneous influences and other things that aren’t funny but only rude, the Doubtless Well-meaning Armydillo became virtuously indignant and tore its hair, and remembered a State of Things a quarter of a Century6 ago that would have sent it pallid and chattering into the Chiltern Hundreds.7 That is how all Armydilloes talk, and no doubt they mean it at the time; it is not so hard to be resigned at a distance of twenty-five years.8

The Beech-Marten didn’t care how angry the Armydillo got, because he had squeezed him so when they lived in the same burrow. No Beech-Marten likes being squeezed, it upsets their balance.

And that, Best Beloved, is how the Armydillo lost its wool.


  1. William St John Fremantle Brodrick, 1st Earl of Midleton, (1856–1942), Secretary of State for War 1900–1903.
  2. Brodrick was both touchy and tactless.
  3. Sir Michael Hicks Beach, (1837-1916), Chancellor of the Exchequer 1885-1886 and 1895-1902). He clashed with Brodrick over the costs of the latter’s planned army reforms. After his resignation from the front bench, Hicks Beach made a speech in his constituency on 29 September 1902 in which he criticised the way the War Office had conducted the Boer War and the influence “outside influences” wielded on it (although he specifically said he did not blame Brodrick)
  4. Parodying “The Old Guard dies; it never surrenders” (attributed to General Pierre Cambronne, 1770-1842, at the Battle of Waterloo).
  5. Probably referring to Rowland Winn, 1st Baron St Oswald (1820–1893), Conservative Party Chief Whip from 1880 to 1885. He was caricatured as “the lash” by ‘Ape’ in Vanity Fair in 1874; the reason remains unclear.
  6. Capitalised in the original.
  7. Being appointed “Steward of the Chiltern Hundreds” (an “office of profit under The Crown”, referring to management of this ancient administrative area) disqualifies an M.P. from sitting in the House of Commons, and thus allows him to resign his seat (which is otherwise legally impossible).
  8. Possibly referring to the time between the previous two sets of major army reforms (Cardwell Reforms, 1868–1872, and Childers Reforms, early 1880s).

‘How the Armydillo Lost Its Wool’ by Saki (H.H. Munro), taken from The Westminster Gazette, 9 October 1902. Illustration by Francis Carruthers Gould. Notes © 2020-21 Bruce Gaston. No reproduction without permission.

Not So Stories (With apologies to R.K.) – 1

[This is the first of Munro’s five parodies of Rudyard Kipling’s ‘Just So Stories’ (1902). Once again, the stories were complemented by illustrations by Francis Carruthers Gould. I plan on publishing them all here.]

How the Pelletan of the Mediterranean Lost His Voice

The Pelletan of the MediterraneanOnce, Best Beloved, there was a Pelletan of the Mediterranean, who in his spare moments was also a responsible Minister.1 He was incorrigibly and uncontrovertibly innocuous, but he had one great fault which tormented his otherwise epidermical subconsciousness day and night, but especially after meals. He was too quiet.

“The pity of it,” he said to himself; “I might be so different.”

So the incorrigibly innocuous Pelletan fell into the Mediterranean with a loud splash and said, to all whom it might concern:

“In spite of unpreventable circumstances over which I have no control, this is not a lake.”2

But it didn’t seem to concern anybody, so he flew off to a conveniently adjacent island and remarked, “From here I could peck straight at my neighbour’s heart.”3

All responsible Ministers do not talk in this fashion, but this one did.4

There are others.

But only a few eyebrows went up, and Foreign Stocks remained normal. So the burlesquely belligerent but quite innocuous Pelletan flew off in another direction and peeped across the frontier and said, “Just you wait!” and “So there!” and other remarks that people make when they are in the right and don’t care who knows it.5

Then his friends got round him and asked him, “What are you after?”

“I’m after luncheon,” he explained, “and I simply must.”

So they collected perfectly unambiguous [p]ress notices in several languages, and thrust them into his beak, and into his mouth, and half-way down his throat, so that he became too full for articulate utterance, and could only say “Squawk!”

“Go and digest those,” they said.

And that, Best Beloved, is how the Pelletan of the Mediterranean lost his voice.


  1. Charles Camille Pelletan (1846–1915), French left-wing politician and journalist, Minister of Marine 1902–1905.
  2. The French colonies in north Africa led to the Mediterranean being described by nationalistic Frenchmen in the nineteenth century as a “French lake”. The description was reportedly coined by Napoleon. Pelletan alluded to it in a speeches he made in 1902 at Bizerta (Tunisia) and Ajaccio (Corsica).
  3. Pelletan also recommended fortifying Corsica, whose eastern coast, he said, “aims straight at the heart of Italy”.
  4. Pelletan was much criticised for making radical and undiplomatic speeches that were considered incompatible with his position as a cabinet member.
  5. Germany: the target of much French rancour after the Franco-Prussian War of 1870-71 led to the loss of the provinces of Alsace and Lorraine to the newly formed German Empire.

‘How the Pelletan of the Mediterranean Lost His Voice’ by Saki (H.H. Munro), taken from The Westminster Gazette, 9 October 1902. Illustration by Francis Carruthers Gould. Notes © 2020-21 Bruce Gaston. No reproduction without permission.

‘The East Wing’

“I’m so glad you have come,” she said; “servants are so little help in an emergency of this kind. My husband has gone off in the car to summon the fire-brigade.”

“Haven’t you telephoned to them?” asked the Major.

“The telephone unfortunately is in the east wing,” said the hostess; “so is the telephone-book. Both are being devoured by the flames at this moment. It makes one feel dreadfully isolated. Now if the fire had only broken out in the west wing instead, we could have used the telephone and had the fire-engines here by now.”

“On the other hand,” objected Lucien, “Canon Clore and Major Boventry and myself would probably have met with the fate that has overtaken the telephone-book. I think I prefer the present arrangement.”

“The butler and most of the other servants are in the dining-room, trying to save the Raeburns and the alleged Van Dyke,”1 continued Mrs Gramplain, “and in that little room on the first landing, cut off from us by the cruel flames, is my poor darling Eva. Eva of the golden hair. Will none of you save her?”

“Who is Eva of the golden hair?” asked Lucien.

“My daughter,” said Mrs Gramplain.

“I didn’t know you had a daughter,” said Lucien, “and really I don’t think I can risk my life to save some one I’ve never met or even heard about. You see, my life is not only wonderful and beautiful to myself, but if my life goes, nothing else really matters to me. I don’t suppose you can realise that, to me, the whole world as it exists to-day, the Ulster problem, the Albanian tangle, the Kikuyu controversy,2 the wide field of social reform and Antarctic exploration, the realms of finance, and research and international armaments, all this varied and crowded and complex world, all comes to a complete and absolute end the moment my life is finished. Eva might be snatched from the flames and live to be the grandmother of brilliant and charming men and women; but, as far as I should be concerned, she and they would no more exist than a vanished puff of cigarette smoke or a dissolved soda-water bubble. And if, in losing my life, I am to lose her life and theirs, as far as I personally am concerned with them, why on earth should I, personally, risk my life to save hers and theirs?” Continue reading